Drawing on both serious and popular culture models— Herman Melville, Ralph Waldo Emerson, William Faulkner, and William Shakespeare as well as Marvel comic books, tall tales, street theater, and film—this self-proclaimed parabolist fills his stories with anecdotes of broad significance, often expressed through black humor, hyperbole, powerful imagery, and simultaneous action.
When, six weeks later, he hitches up his Moby Dick shorts for the final assault on the Big Nurse and walks across the floor so that "you could hear the iron in his bare heels ring sparks out of the tile,"… he dominates a world coming apart at the seams because of strength, courage, and emerging manhood.
As Chief Bromden says repeatedly —he has made others big. The early McMurphy has a primitive energy, the natural expression of his individualism. And in the manner of the solitary hero his freedom and expansiveness come from being unencumbered.
He has "no wife wanting Ken kesey essays linoleum. No relatives pulling at him with watery old eyes. No one to care about, which is what makes him free enough to be a good con man.
They represent a sinister contemporary version of a feminist tradition in American literature that goes back, at least, to Dame Van Winkle and that percolates through the popular fiction of the nineteenth-century in the form of domestic tyranny….
Given the highly charged vision of One Flew Over the Cuckoo's Nest, female authority becomes non-domestic, hard, insistently emasculating.
Not all of Ken kesey essays women are cast in the mould of the Big Nurse.
Harding's wife, for example, is a bitch of the first order, whose visit to the hospital shows us all that Harding must overcome in himself as a prerequisite to overcoming something in her.
Her remarks are guaranteed to make Harding fall back on defenses whose very existence she scorns…. If her visit suggests how Harding came to be in the hospital, it spells out even more clearly why he is afraid to leave.
In a different way Billy Bibbit's mother denies him the chance to become a man…. Billy, on a comfortable day, talks about looking for a wife and going to college. His mother tickles his ear with dandelion fluff and tells him he has "scads of time" left for such things.
When Billy reminds her that he is thirty-one years old, she replies, "Sweetheart, do I look like the mother of a middle-aged man? His Indian father took his white wife's name when they married and suffered a diminishment of self ever after….
The female reduced the male—the white reduced the Indian. The Chief has only to think of his parents to know the legacy of his people. Only McMurphy stands outside such woman-power. His name, with its patronymic, identifies him as the son of Murphy, not of Mrs.
His latter day companions, Candy and Sandy, function both to emphasize his manhood and to measure the progress of the patients toward regaining or finding theirs.
Drawn from the stock pattern of the fun-loving, "good" whore, Candy and Sandy evoke attitudes of freedom and openness rather than of restraint and confinement. Whereas the Big Nurse would make men little, they would make men big.
Matriarchy in One Flew Over the Cuckoo's Nest comes … to be expressed in various forms of female tyranny…. But its primary force and motive is to make men be little boys, to make them want to adjust to a role wherein lies safety…. Billy wilts immediately; stuttering once again, he disavows affection and friendship, and the Big Nurse leads him into the office, "stroking his bowed head and saying 'Poor little boy, poor little boy'.
At Miss Ratched's disposal are the three black orderlies hired for their hatredthe Shock Shop, and the final measure of lobotomy. With their thermometer, their giant jar of vaseline, and their blood knowledge of rape and injustice, the orderlies make women out of men, just as the Shock Therapy machine turns men docile and lobotomy converts even the most unruly into Fully Adjusted Products.
These are weapons of terror, dedicated to the proposition that the best man is a good boy. It is small wonder that the patients on the ward seek the relative safety of boyhood and allow themselves to be ruled by stern or selfish non-mothers who, like cuckoo-birds, have no instinct for building nests of their own.
As the contours of the narrative take form, the bigger-than-life McMurphy and the bigger-than-life Miss Ratched come to be opposed in every way. He is the stud, she the "ball-cutter"; he is the brawler, she the manufacturer of docility; he is the gambler, she the representative of the house—where chance has no meaning.
The opposition between McMurphy and the Big Nurse goes to the very center of the novel, to the perception of Chief Bromden.
Whenever the Big Nurse seems in indisputable control, the fog machine churns out its mist, scary, safe, and scary again. When McMurphy wins a skirmish, the fog The entire section is 2, words. Biography Critical Essays Analysis You'll also get access to more than 30, additional guides andHomework Help questions answered by our experts.- Ken Kesey's One Flew Over the Cuckoo's Nest One Flew Over The Cuckoo's Nest Ken Kesey's One Flew Over The Cuckoo's Nest is a multidimensional novel with many important messages in which Kesey strives to relay to the readers.
Ken Kesey, the older of two sons, was born on September 17, , in La Junta, Colorado. In the family moved to Springfield, Oregon, where Kesey spent several years on his family's farm. He was raised in a religious household where he developed a great appreciation for Christian fables and a.
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Ken Kesey. Ken Kesey, the older of two sons, was born on September 17, , in La Junta, Colorado. In the family moved to Springfield, Oregon, where Kesey spent several years on his family's farm. Synopsis. Ken Kesey was born in , in La Junta, Colorado.
He attended Stanford University and later served as an experimental subject and aide in a hospital, an experience that led to his Born: Sep 17, Ken Kesey is the author of One Flew Over The Cuckoo's Nest, a hugely influential and important book of the 20the century. To weave his story, Kesey uses a bizarre cast of characters living in a mental.